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Stay, please stay
Don't walk away
Coins come with two sides

Can we make it past being human
'til the days we die?
There will be cries.

Stay, please stay
I have wrinkles with your name
A heart you have claimed
A smile that became you

Stay, please stay
Here with me
And touch the corners of my face
And share this breath
This rest
This arabesque from two worlds

real friends are likely to stab you in the back, they’re inclined to twist a knife as they try to get on track. It’s clean minds taped on dirty mind taps of my dear by draft, paper tears this craft, ink reflects those laughs and the times we shared - all the twists and drinks with lime I remember your stare...whenever I reminisce missing first embraces to the very last kiss. The last gift. The first day that began with a first step in a direction of a horizon that will swallow you up forever twisting your back but never giving you back leaving you with a photo to just wallow, you wept


as a said fool on furniture

looping your life, no beat thumperer no heart for your box and only freestyle your thoughts

Love letters become props for posters and shit..sometimes filters for that greenery lift

Now what I wouldn’t give for that greener tip of that lover side that other side. Truth predates lies but still remain eternal coldly you lay for our way memories become infernal


And the vessel's empty
You blinked me out
Your perfume's stained our bed
These ghosts I cannot wed
These tears in vien I shed


from Lullaby Apocalypse, released May 5, 2015
Double bass, synthesizer, vocals, electronics: Lisa Dowling
Beatboxing: Adam Matta
Spoken word: Equiano Mosieri
Alto flute: Domenica Fossati



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kills to kisses New York, New York

K>X is the alter-ego of Australian bassist Lisa Dowling. She created her out of a need for a more specific space for her own musical experiments. What began as an exploration into her identity as a bassist evolved to explore her identity as a composer, multi-instrumentalist, vocalist and most importantly, a woman who creates.
"Bjork-like, innovative" (New York Times)
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